Exhibition Press Information»
The Wooden Menagerie: A New Mexican Wood Carving Tradition
In the Hispanic Heritage Wing
Spring 2014 to Spring 2015
This exhibition celebrates the rich Hispano folk tradition of animal wood carving in New Mexico and the continued influence on the national and international scene. The exhibition highlights the historic roots of New Mexican woodcarvers, offering early twentieth century examples of whimsical animals including works by Jose Dolores Lopez and Celso Gallegos.
Burro by Leroy Archuleta, 1984)
During the Work Progress Administration (WPA) period of the 1930's, the traditional arts of the region gained resurgence through federal programmed that trained and employed New Mexican folk artists, In 1936, Patrocino Barela's expressionistic woodcarvings created under the auspices of the Federal Arts Project were a part of New Horizons in American Art at the Museum of Modern Art in New York.
The wood carving tradition continued into the 1960's primarily for the tourist trade with classic carvings of burros and oxen drawn carts. During this time artists started experimenting with recycled materials and common household paint.
The decade of the 1970's was a dramatic period that fostered the powerful animistic forms of Felipe Archuleta and his workshop of carvers. By the 1980's Archuleta's animal sculptures were highly sought after by collectors and curators. His menagerie of domestic and exotic animals made their way to museum exhibits in New York, Paris and Tokyo.
The excitement around the workshops of the New Mexican animal carvers created an insatiable market that spurred on innovations by Alonso Jimenez, Jim D'Avila, David Alvarez and Leroy Ortega. This generation of carvers fostered the iconic images of friendly burros, howling coyotes, and Technicolor rattlesnakes, reaching deep into the popular culture of the Southwestern United States. These animal sculptures have become emblematic of Santa Fe's cultural character.
The Red that Colored the World (working
In the Hispanic Heritage Wing & Cotsen galleries
Opening May 17, 2015
From Antiquity to today, as symbol and hue, red has risen
to the pinnacle of the color spectrum. Throughout art
history, a broad red brushstroke has colored the finest
art and expressions of daily life. Yet, while most people
know red, few know of its most prolific and enduring source:
American Cochineal, a tiny scaled insect that produces
carminic acid. Fewer still know the story behind its explosive
global spread after its first encounter by Spain in 16th
century Mexico. Cochineal can already be demonstrated
as a commonly used colorant in painting, sculpture, furniture
and textiles from the mid 16th through the mid-19th century,
when synthetic pigments were invented. The exhibition is not restricted
to folk art and will include manuscripts, paintings, sculpture,
textiles and furniture from pre-Columbian and Spanish
Colonial Mexico, Peru and New Mexico; European paintings,
textiles and clothing; and textiles from Asia, India and
the Middle East, along with selections from the collection
at the Museum of International Folk Art. Integrating a
variety of interactive, visitor friendly features and
didactic materials, visitors are invited to look through
the centuries to consider the central role of color in
art, history and culture- as well as in their own lives.