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Kichi: Kite Crazy in Japan
In the Bartlett Wing
EXTENDED THROUGH July 27, 2014
popular pastime and festival activity for centuries, Japanese
kites remain a delightful and entertaining tradition.
Traditional kites from Japan are made from a split bamboo
framework and layers of handmade washi paper. The kites
are often finished with colorful painted narrative illustrations,
legendary heroes, and design elements that reflect Japanese
folklore. Everything about these kites is based on kite-making
traditions and aesthetics of distinct regions within Japan.
This exhibit presents traditional kites from various
regions of Japan and introduces a number of respected
traditional kite artists. It explores cultural, historic,
and artistic perspectives of kite-making and kite-flying
in Japan. Visitors can participate in the artistic process
of making kites through engaging gallery activities. Public
programming for this exhibit will include lectures, kite-making
workshops, and kite-flying on the plaza at Museum Hill.
(Photo: Daruma Kite, c. 1960, From the collection
of David M. Kahn)
Between Two Worlds:
Folk Artists Reflect on The Immigrant Experience
In the Mark Naylor and Dale Gunn Gallery of Conscience
West Bartlett Gallery
The Gallery of Conscience is an experimental space where the public is invited to help shape the content and form of the exhibition through interactive elements and facilitated dialogues. Opening on Sunday July 6, to kick off international Folk Arts Week, is Between Two Worlds: Folk Artists Reflect on the Immigrant Experience, an exhibition on immigration that features fiber arts, carving, paintings and works on paper about immigrant journeys and the challenges of transitioning to a new home. Traditional artists from the Americas, Africa and Asia articulate the hopes, fears, and challenges of newcomers in an unfamiliar and sometimes unwelcoming place. Image : Mozambique artist Camurdino Mustafá Jethá holds his sculpture Refugiados (Refugees), 2013. Photo courtesy of Laura Marcus Green.
This exhibit is made possible in part by an Art Works award from the National Endowment for the Arts. The Museum gratefully acknowledges the support of Mark Naylor and Dale Gunn, the International Folk Art Alliance, the International Folk Art Foundation, the Museum of New Mexico Foundation
’s Director’s Leadership and Exhibitions Development Funds,
the National Endowment for the Humanities
, and the Institute of Museum and Library Sciences
. Our dialogue series is part of the National Dialogues on Immigration Project of the International Coalition of Sites of Conscience.
Wooden Menagerie: Made in New Mexico
In the Hispanic Heritage Wing
April 6, 2014 to February 15, 2015
This exhibition celebrates the rich Hispano folk tradition of animal wood carving in New Mexico and the continued influence on the national and international scene. The exhibition highlights the historic roots of New Mexican woodcarvers, offering early twentieth century examples of whimsical animals including works by Jose Dolores Lopez and Celso Gallegos.
During the Work Progress Administration (WPA) period of the 1930's, the traditional arts of the region gained resurgence through federal programmed that trained and employed New Mexican folk artists, In 1936, Patrocino Barela's expressionistic woodcarvings created under the auspices of the Federal Arts Project were a part of New Horizons in American Art at the Museum of Modern Art in New York.
The wood carving tradition continued into the 1960's primarily for the tourist trade with classic carvings of burros and oxen drawn carts. During this time artists started experimenting with recycled materials and common household paint.
The decade of the 1970's was a dramatic period that fostered the powerful animistic forms of Felipe Archuleta and his workshop of carvers. By the 1980's Archuleta's animal sculptures were highly sought after by collectors and curators. His menagerie of domestic and exotic animals made their way to museum exhibits in New York, Paris and Tokyo.
The excitement around the workshops of the New Mexican animal carvers created an insatiable market that spurred on innovations by Alonso Jimenez, Jim Davila, David Alvarez and Leroy Ortega. This generation of carvers fostered the iconic images of friendly burros, howling coyotes, and Technicolor rattlesnakes, reaching deep into the popular culture of the Southwestern United States. These animal sculptures have become emblematic of Santa Fe's cultural character.
The Museum of International Folk Art gratefully acknowledges the following donors for their support: The International Folk art Foundation, The Museum of New Mexico Foundation, Newman's Own Foundation and the Museum of New Mexico Exhibitions Development Fund.
Multiple Visions: A Common Bond
Long-term Exhibition, Girard Wing
This unique exhibition designed by the collector and donor, Alexander
Girard». Since the opening in 1982, more than
a million visitors have been delighted by the richly varied
displays in numbered cases- toys, and traditional folk
art from more than 100 countries. Take a tour with a Docent,
or explore this text-free gallery on your own with the
printed gallery guide or Ask about the NEW multimedia
tour at the front desk!
Brasil & Arte Popular
In the Cotsen Gallery, Neutrogena Wing
November 17, 2013 - January 4, 2015
fascinating range of unique and vibrant folk traditions
are presented featuring over 350 pieces from the museums
rich Brazilian collection, ranging from graphic woodblock
prints, colorful ceramic and wood folk sculptures, toys,
puppets, and religious art, to lively festival dramas
with dance, music and costumes. The varied cultural mix
found throughout the vast region of Brazil not only draws
from the original indigenous inhabitants, but also from
the Portuguese colonists who began to settle there in
the sixteenth century, as well as the enslaved Africans
brought by the Europeans. The curator, Barbara Mauldin,
tells us that eventually merging traditions created
the dynamic cultural fusion that is so uniquely Brazilian.
The majority of work in the exhibit is from the twentieth
century when folk artists found that they had more freedom
to portray their history, folklore, and daily life. Religious
practitioners could now carry out their rituals openly
and festival performers were able to draw from old traditions. About the Photo: Bumba-Meu-Boi is
a comical and very popular folk drama brought to Brazil
by the Portuguese colonizers in the eighteenth century.
The original plot centers around the death and resurrection
of a prized bull, but the story has been adapted to reflect
typical northeast Brazilian rural life, involving many
varied and costumed characters in a series of comic episodes.
Today it is performed throughout Brazil during the Christmas
holidays, Carnival, and June festivals. Woodblock print
by José Francisco Borges, Bezerros, Pernambuco,
Brazil, 1990. IFAF Collection, FA.1991.17.52.
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