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Tako Kichi: Kite Crazy in Japan
In the Bartlett Wing EXTENDED THROUGH July 27, 2014
A popular pastime and festival activity for centuries, Japanese kites remain a delightful and entertaining tradition. Traditional kites from Japan are made from a split bamboo framework and layers of handmade washi paper. The kites are often finished with colorful painted narrative illustrations, legendary heroes, and design elements that reflect Japanese folklore. Everything about these kites is based on kite-making traditions and aesthetics of distinct regions within Japan.

This exhibit presents traditional kites from various regions of Japan and introduces a number of respected traditional kite artists. It explores cultural, historic, and artistic perspectives of kite-making and kite-flying in Japan. Visitors can participate in the artistic process of making kites through engaging gallery activities. Public programming for this exhibit will include lectures, kite-making workshops, and kite-flying on the plaza at Museum Hill. (Photo: Daruma Kite, c. 1960, From the collection of David M. Kahn)

Work in Progress: Folk Artists on Immigration
In the Mark Naylor and Dale Gunn Gallery of Conscience
West Bartlett Gallery
The Gallery of Conscience is an experimental space where we invite the public to help us develop exhibitions on social issues. Presently in the gallery is an “exhibit lab” on the topic of immigration, home, and belonging. The exhibition development phase begins in March of 2014, celebrating the opening of the exhibition on Sunday July 6 to kick off international Folk Arts Week.
The public is invited to participate through interactive elements and facilitated dialogues, giving feedback and leaving their thoughts and stories in order to help shape the content and form of the exhibition. This Work in Progress includes handmade embroidery, carving, paintings, drawings, and beadwork about immigrant journeys made by traditional artists from the Americas, Africa and Asia.
This exhibit lab is made possible through the support of Mark Naylor and Dale Gunn, the International Folk Art Alliance, the International Folk Art Foundation, the Museum of New Mexico Foundation’s Exhibition Development Fund, the National Endowment for the Humanities, and the Institute of Museum and Library Sciences. Our dialogue series is part of the National Dialogues on Immigration Project of the International Coalition of Sites of Conscience. Image : Mozambique artist Camurdino Mustafá Jethá holds his sculpture Refugiados (Refugees), 2013. Photo courtesy of Laura Marcus Green.

Multiple Visions: A Common Bond
Long-term Exhibition, Girard Wing
This unique exhibition designed by the collector and donor, Alexander Girard». Since the opening in 1982, more than a million visitors have been delighted by the richly varied displays in numbered cases- toys, and traditional folk art from more than 100 countries. Take a tour with a Docent, or explore this text-free gallery on your own with the printed gallery guide or Ask about the NEW multimedia tour at the front desk!

Brasil & Arte Popular
In the Cotsen Gallery, Neutrogena Wing
November 17, 2013 - January 4, 2015
A fascinating range of unique and vibrant folk traditions are presented featuring over 350 pieces from the museum’s rich Brazilian collection, ranging from graphic woodblock prints, colorful ceramic and wood folk sculptures, toys, puppets, and religious art, to lively festival dramas with dance, music and costumes. The varied cultural mix found throughout the vast region of Brazil not only draws from the original indigenous inhabitants, but also from the Portuguese colonists who began to settle there in the sixteenth century, as well as the enslaved Africans brought by the Europeans. The curator, Barbara Mauldin, tells us that “eventually merging traditions created the dynamic cultural fusion that is so uniquely Brazilian.” The majority of work in the exhibit is from the twentieth century when folk artists found that they had more freedom to portray their history, folklore, and daily life. Religious practitioners could now carry out their rituals openly and festival performers were able to draw from old traditions. About the Photo: Bumba-Meu-Boi is a comical and very popular folk drama brought to Brazil by the Portuguese colonizers in the eighteenth century. The original plot centers around the death and resurrection of a prized bull, but the story has been adapted to reflect typical northeast Brazilian rural life, involving many varied and costumed characters in a series of comic episodes. Today it is performed throughout Brazil during the Christmas holidays, Carnival, and June festivals. Woodblock print by José Francisco Borges, Bezerros, Pernambuco, Brazil, 1990. IFAF Collection, FA.1991.17.52.

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