Multiple Visions: A Common Bond
Long-term Exhibition, Girard Wing
This unique exhibition designed by the collector and donor, Alexander
. Since the opening in 1982, more than
a million visitors have been delighted by the richly varied
displays in numbered cases- toys, and traditional folk
art from more than 100 countries. Take a tour with a Docent,
or explore this text-free gallery on your own with the
printed gallery guide or Ask about the multimedia
tour at the front desk! Link to Press Release
Pottery of the U.S. South :
A Living Tradition
Opening Friday October 24, 2014
In the Bartlett Gallery
Pottery of the U.S. South: A Living Tradition presents traditional stoneware from North Carolina and northern Georgia—current works characterized by earthy local clays and surprising effects of wood firing. Rooted in British and German ceramic traditions and once crucial to Southern agrarian life, Southern pottery today remains vital, a distinctive art form through which potters actively engage with their region in ways both old and new. As museum visitors explore these ways, they are invited to consider for themselves the dynamics of a living tradition.
(Photo: Wood-fired, salt-glazed jugs by Chad Brown (left, 2011) and his great-great-grandfather W. H. Crisco (right, 1880s), Seagrove, North Carolina. Museum of International Folk Art, IFAF Collection. (FA.2012.24.5, FA.2013.57.1) Photo: Addison Doty)
Wooden Menagerie: Made in New Mexico
In the Hispanic Heritage Wing
April 6, 2014 to February 15, 2015
This exhibition celebrates the rich Hispano folk tradition of animal wood carving in New Mexico and the continued influence on the national and international scene.
During the Work Progress Administration (WPA) period of the 1930's, the traditional arts of the region gained resurgence through federal programmed that trained and employed New Mexican folk artists0, In 1936, Patrocino Barela's expressionistic woodcarvings created under the auspices of the Federal Arts Project were a part of New Horizons in American Art at the Museum of Modern Art in New York.
The wood carving tradition continued into the 1960's primarily for the tourist trade with classic carvings of burros and oxen drawn carts. During this time artists started experimenting with recycled materials and common household paint.
The Museum of International Folk Art gratefully acknowledges the following donors for their support: The International Folk art Foundation, The Museum of New Mexico Foundation, Newman's Own Foundation and the Museum of New Mexico Exhibitions Development Fund.
Between Two Worlds:
Folk Artists Reflect on The Immigrant Experience
In the Mark Naylor and Dale Gunn Gallery of Conscience
West Bartlett Gallery
July 6, 2014- January 17, 2016
The Gallery of Conscience is an experimental space where the public is invited to help shape the content and form of the exhibition through interactive elements and facilitated dialogues. Each exhibition changes throughout its life in response to visitor feedback and community participation. Opening on Sunday July 6, to kick off International Folk Arts Week, is Between Two Worlds: Folk Artists Reflect on the Immigrant Experience, an exhibition on immigration that features fiber arts, carving, paintings and works on paper about immigrant journeys and the challenges of transitioning to a new home. Traditional artists from the Americas, Africa and Asia articulate the hopes, fears, and challenges of those who leave their homes to settle in a new place, those left behind, and those who welcome them in their midst. Image : Mozambique artist Camurdino Mustafá Jethá holds his sculpture Refugiados (Refugees), 2013. Photo courtesy of Laura Marcus Green. This exhibit is made possible in part by an Art Works award from the National Endowment for the Arts. The Museum gratefully acknowledges the support of Mark Naylor and Dale Gunn, the International Folk Art Alliance, the International Folk Art Foundation, the Museum of New Mexico Foundation’s Director’s Leadership and Exhibitions Development Funds, the National Endowment for the Humanities, and the Institute of Museum and Library Sciences. Our dialogue series is part of the National Dialogues on Immigration Project of the International Coalition of Sites of Conscience.
Brasil & Arte Popular
In the Cotsen Gallery, Neutrogena Wing
November 17, 2013 - January 4, 2015
fascinating range of unique and vibrant folk traditions
are presented featuring over 350 pieces from the museums
rich Brazilian collection, ranging from graphic woodblock
prints, colorful ceramic and wood folk sculptures, toys,
puppets, and religious art, to lively festival dramas
with dance, music and costumes. The varied cultural mix
found throughout the vast region of Brazil not only draws
from the original indigenous inhabitants, but also from
the Portuguese colonists who began to settle there in
the sixteenth century, as well as the enslaved Africans
brought by the Europeans. The curator, Barbara Mauldin,
tells us that eventually merging traditions created
the dynamic cultural fusion that is so uniquely Brazilian.
The majority of work in the exhibit is from the twentieth
century when folk artists found that they had more freedom
to portray their history, folklore, and daily life. Religious
practitioners could now carry out their rituals openly
and festival performers were able to draw from old traditions. About the Photo: Bumba-Meu-Boi is
a comical and very popular folk drama brought to Brazil
by the Portuguese colonizers in the eighteenth century.
The original plot centers around the death and resurrection
of a prized bull, but the story has been adapted to reflect
typical northeast Brazilian rural life, involving many
varied and costumed characters in a series of comic episodes.
Today it is performed throughout Brazil during the Christmas
holidays, Carnival, and June festivals. Woodblock print
by José Francisco Borges, Bezerros, Pernambuco,
Brazil, 1990. IFAF Collection, FA.1991.17.52.
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