Popular Arts As National Stand-ins: Mexico's 1968 Cultural OlympiadSeptember 25, 2019
5:30 PM - 6:30 PM
The Museum of International Folk Art welcomes Dr. Deborah Dorotinsky of Mexico City’s Instituto de Investigaciones Estéticas to discuss folk art and dipolomacy.
This lecture explores the exhibition of folk arts prepared by the Olympic Organizing Committee for the XIX Olympic Games in Mexico in 1968, and the ways popular craft was used as a form of cultural diplomacy from 1940-1970. Nearly 50 years after the original exhibition, in 2016, a group of students and curators at the Universidad Nacional Autónoma de México (UNAM) revived the exhibition, highlighting its history and the shifting definition artisanal design, craft, folk art and arte popular
Dr. Deborah Dorotinsky is a full-time tenured researcher at the Instituto de Investigaciones Estéticas, UNAM and a professor of historiography of art history, history of Mexican ethnographic photography and gender and visual cultures 1920-1950 in the Art History Graduate Program at the same university.
Lecture with Dr. Deborah Dorotinsky: The International Exhibition of Popular Arts was one of the events that accompanied the XIX Olympic Games in Mexico 1968 as part of the Cultural Olympiad. Crafts, folk arts and arte popular were conceived by the Olympic Organizing Committee as one of the things that united all nations. However, the games and the cultural program were obscured in Mexico by the repression of the student movement and the Tlatelolco student massacre on October 2nd, 1968. Discourse on world peace was overshadowed by repression to civil rights movements, as was happening in many other countries that year.
Mexican cultural agents had long incorporated popular arts as part of their cultural diplomacy strategies: this exhibition was one such example. In 1969, the Olympic Committee bequeathed the popular arts collection to the Universidad Nacional Autónoma de México (UNAM) where it was stored and sporadically exhibited. In 2016 a group of curators and students of UNAM’s graduate Art History program, organized an exhibition that revised the history of the 1968 popular arts exhibition and highlighted objects from the collection to address problems of cultural diplomacy, display strategies and shifting definitions of artisanal design, craft, folk art and arte popular. This talk will address both iterations of the exhibition and propose some partial results of my ongoing research on arte popular between 1940 and 1970 in Mexico.
Prof. Deborah Dorotinsky holds a B.A. in Anthropology from the University of California, Berkeley (1985) and an MA and PhD in Art History from Universidad Nacional Autónoma de México, UNAM (2003). She is a full-time tenured researcher at the Instituto de Investigaciones Estéticas, UNAM and a professor of historiography of art history, history of Mexican ethnographic photography and gender and visual cultures 1920-1950 in the Art History Graduate Program at the same university. Her book, Viaje de sombras: fotografías del Desierto de la Soledad y los indios lacandones en los años cuarenta, was published by UNAM-Instituto de Investigaciones Estéticas in 2003. She coordinated, with Álvaro Vázquez, Danna Levín and Antonio Zirion, Variaciones sobre cine etnográfico: entre la documentación antropológica y la experimentación estética, 2017. She has published extensively articles and book chapters both in Spanish and English in different journals and readers.
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