A TRADITIONAL MEXICAN FOLK ART
Papel picado literally means 'punched' or 'perforated' paper. This traditional cut paper folk art is found throughout Mexico and the former colonies of Spain as well as in the folk traditions of many other countries.
Papel picado banners - Christopher Gibson.
In Mexico the art has reached a pinnacle of expression and is present at every major holiday in the form of brightly colored strings of cut tissue paper banners strung under the portals of homes and across the narrow streets of colonial villages. Banners of papel picado are charming announcements bearing messages on topics both sacred and profane. They are found at all celebrations such as baptisms, weddings, and funerals. They are also present at all national holidays such as the "Days of the Dead", the feast day of Our Lady of Guadalupe, Christmas, and Independence Day. The materials of papel picado are ephemeral. Papel picado banners will disintegrate in less than a month if left out in the sun, wind and rain. Therefore few historic examples of this folk art exist. The Mexican art of paper-cutting is a marvelous synthesis of European, Asian, and Pre-Columbian artistic traditions. For 500 years the art of paper making and paper-cutting was confined to China with historical writings naming Ts'ai Lun, a Chinese court official, as the inventor of paper in 105 AD. Paper-making and cutting made its way into Japan around 610 and Central Asia by 750. The Moors who occupied Spain from AD 714 - 1492 had trade routes with faraway China. They introduced paper making and paper-cutting to the Iberian Peninsula establishing a paper-making mill in AD 1150. In strict observance of Mosaic prohibitions against graven images Islamic paper-cutting was primarily based on geometric and calligraphic expressions of scripture. In the centuries that followed the flowering of Arab culture in Spain, both paper making and paper-cutting spread to the rest of Europe. In Germany it became known as scherenschnitte, in Poland as wycinanki, and in France as silhouettes.
Dios de las Frutas - Catalina Delgado-Trunk
When the Spaniards arrived
in Mexico there was already a tradition of paper making that was called amatl
in Nahuatl, the language of the Aztecs. The native peoples of Mexico produced
a type of paper by mashing the pulp of the bark of fig and mulberry trees between
rocks. Once dry the paper was then cut with knives made from obsidian. The paper
cuts made from amatl were primarily of a ceremonial nature and included images
of the numerous Aztec gods and goddesses, a practice that was discouraged by their
Christian conquerors. Among the Spanish, the word amatl became amate. Today
amate continues to be used in Mexico where one can occasionally find copies of
codices and books as well as reproductions of the ancient deities. The Spanish
introduced their culture, language, religion, tools, and designs, all of which
had an impact on the production of papel picado. Additional cultural exchanges
between the Americas and Asia occurred during the 16th Century. The Black Galleon
of Manila traveled the routes between China, the Philippines, and Acapulco, Mexico,
with its exotic cargo of silk textiles and leather trunks. Among the precious
trade goods could be found a very fine paper that they called papel de China (Chinese
paper) which was used to wrap the fragile porcelains which made their way as far
north as the Española Valley in what is now New Mexico. This paper which oftentimes
bore the stenciled designs for ceramics or embroideries was used for various types
of crafts including papel picado banners. Although the methods and tools have
not changed much during the ages, papel picado continues to evolve as a living
folk tradition in Mexico. Much of the papel picado available in today's folk art
market comes from the village of San Salvador Huixcolotla, Puebla, which lies
southeast of Mexico City. The tradition of paper-cutting is preserved in the talleres,
small family workshops of two rival artisans' families, the Vivancos and the Rojas,
who maintain a spirit of fierce competition and pride in the art.
Margaret Sosa at Self-Help Graphics
The traditional process of making papel
picado banners begins by drawing a design which becomes the patron or pattern.
The pattern is then placed over multiple layers of tissue paper which rest on
a thick layer of lead. The artisan then cuts through multiple layers of paper
using a mallet to pound finely sharpened chisels of varying sizes and shapes through
the paper and into the sheet of lead. The negative spaces must be removed from
the design in a manner which allows the image to hang together after cutting.
The process of transforming sheets of tissue from a design to a completed paper
cut can take 30 or more hours. Like much of the traditional folk arts of Mexico,
papel picado is dying out as village artisans abandon the labor-intensive process
to find better paying factory jobs in urban centers. In the United States there
has been a revival in the paper-cutting arts during the last two decades, primarily
within Chicano art circles. A few contemporary artists working in the US have
developed techniques of cutting one-of-a-kind papel picado masterpieces using
an artist knife and archival grade paper. Simpler forms can be easily prepared
at home or in the classroom using tissue paper and scissors.
MAKING PAPEL PICADO USING SCISSORS
Correlations to New Mexico Standards for Visual Arts 1, 2, 3, 4, 5, 6, 7, 8
Materials: Scissors Colored tissue paper String Glue stick
Objectives 1. Students will learn about the history and development of the papel picado tradition in Mexico and its origins in Pre-Columbian, Asian and European cut paper traditions. They will understand how their papel picado banners relate to the older traditions. (Historical and cultural understanding) 2. Students will learn about the materials and designs used to create papel picado banners and methods of construction. (Perceiving, analyzing, and responding) 3. Students will design and create their own Mexican papel picado banners. They will develop solutions to design problems through the use of line, form, combinations of color, symmetry, repetition and variation of pattern. (Creating and performing)
Artesanías Folk art/crafts
Papel de china Tissue paper
Papel picado Cut paper
Amate Paper made from fig or mulberry bark
1. Show examples of Mexican papel picado. (artifacts, photos or slides)
2. Discuss the history of paper-cutting in Mexico. Discuss how paper and paper-cutting designs have native and foreign origins.
3. Explain that you are going to make papel picado banners. Ask the following questions:
What materials are used in making papel picado? For which holidays are papel picado banners created? What kinds of design would you like to use?
MAKING PAPEL PICADO USING SCISSORS
1. Place your tissue paper in front of you so that the longest side is at the top. From the top of the paper fold down approximately one inch and form a crease. This first fold is called the "string fold". The string will be glued inside this fold when you are finished cutting the paper. You must always remember to keep this fold in sight so as not to cut through it. Illustrations by Arturo Olivas
2. Turn your tissue paper over so that the "string fold" is facing down on the table. Bring the upper left edge over to the upper right edge and fold the paper in half forming a crease down the center.
3. Repeat the process of folding the paper in half lengthwise two more times, aligning and creasing the edges each time you fold.
4. Cut notches along side edge (A) and bottom edge (B) being certain to leave space between the cuts. The best control over the materials can be gained sitting up straight with the paper and scissors at eye level and by rotating the paper rather than the scissors. It is advisable to provide small children with round-tip scissors.
5. Unfold the paper once to expose the side edges (C) and cut notches along this edge. Repeat this process with each of the side edges remembering to not cut through the "string fold".
6. When you have finished cutting all your notches carefully unfold the banner leaving the "string edge" folded. Repeat steps 1 through 6 until you have 5 - 6 small banners cut from tissue.
7. Once you have completed your cutouts you will then glue them to a piece of string. Lay your cut outs face down on a table in the order that you would like them to hang. Make certain that the "string fold" is facing up. Measure and cut the string so that it is about 4 feet longer than the length of your paper banners. The best method is to stretch your string leaving a foot or more of spare string hanging down on both sides. Take your glue stick and carefully swipe it down both sides of the interior of the "string fold". Holding both edges of the "string fold" place the cut paper over the string so that it fits in the crease. Using your thumb and forefinger run your hand down both sides of the crease so that the paper adheres to itself. Repeat this process with each of your cutouts leaving a space of about 2 - 3 inches between each sheet of paper. Think about color combination and contrast as you hang each sheet.
Hang the papel picado banners together in the classroom or school yard Discuss the different solutions that the students developed for cutting, gluing and arranging the color combinations of their paper banners. Ask the following questions: How did you arrive at this design? How did you decide on patterns of alternating colors? How does the size of the cuts affect the overall design? Invite the students to demonstrate papel picado techniques to another class. Discuss other materials (new or recycled) that might be used to create banners. Have the class experiment with other paper folding techniques.
MAKING PAPEL PICADO USING AN ART KNIFE
El Sol - Christopher Gibson
This process is much more complex than working with scissors and involves using a very sharp instrument. It is best recommended for secondary school and adult education. Correlations to New Mexico Standards for Visual Arts 1, 2, 3, 4, 5, 6, 7, 8
Materials: Art Knife (E-xacto with triangular blade is preferred)
Colored tissue paper
Objectives (Refer to previous lesson)
Motivation (Refer to previous lesson)
1. Take one of the designs created for this lesson plan (one can also create his own pattern) and place it over ten sheets of colored tissue paper cut to the same size. Staple the corners and the center edge of each side so that all the sheets in the stack are firmly attached.
2. Holding the art knife between your thumb and forefinger (as you would a pencil) begin to carefully cut through the multiple layers of paper removing the negative space portion of the design. Remove the smallest portions of the design first and work from the center of the design outwards.
3. When all of the negative space has been cut from the design, cut the scallops on the outside edge and remove the staples which hold the multiple images together. 4. Once you have completed your cutouts, you will then glue them to a piece of string. Lay your cut outs face down on a table in the order that you would like them to hang. Make certain that the "string fold" is facing up. Measure and cut the string so that it is about 4 feet longer than the length of your paper banners. The best method is to stretch your string, leaving a foot or more of spare string hanging down on both sides. Take your glue stick and carefully swipe it down both sides of the interior of the "string fold". Holding both edges of the "string fold", place the cut paper over the string so that it fits in the crease. Using your thumb and forefinger, run your hand down both sides of the crease so that the paper adheres to itself. Repeat this process with each of your cutouts leaving a space of about two to three inches between each sheet of paper. Think about color combination and contrast as you hang each sheet.
(Refer to previous lesson)
Connections and Extensions
The use of paper is fundamental to the papel picado craft tradition. Investigate how paper is made. What materials are used to make various kinds of paper? How are the raw materials processed? What chemicals processes are involved? How do the paper fibers adhere together? How are the paper fibers woven or matted? Investigate ecological issues related to paper. What impact has the production and use of paper had on the natural environment? What are people doing today to counter any negative impacts the production and use of paper has had on delicate ecosystems? Are there any alternatives to the use of paper in papel picado such as plastic? What are the pros and cons of such alternatives?
Introduce, practice, and perfect measuring skills in the creation of papel picado projects. Relate the folding of sheets of paper to whole numbers, fractions, and division. Identify factors of the numbers used in measuring and folding. Create math problems and solutions utilizing the four operations of addition, subtraction, multiplication, and division. Identify and describe geometric shapes created in the production of papel picado. Identify and measure any angles used in papel picado projects. Measure the various sides of the papel picado projects to determine their area and perimeter. Identify, describe, and label sides of the papel picado as rays, lines, and line segments.
Research the wide variety of paper-making techniques practiced around the world. Create homemade paper with a variety of materials such as old cotton rags, old newspaper, recycled paper bags, laundry lint, and plant fibers such as cornhusk. Use the homemade paper for papel picado projects. Research traditional cut paper designs. Reproduce these designs on the homemade paper or create original designs suitable for a wide variety of celebrations. Cut the designs with scissors or with Exacto blades. Try folding the designs in order to score the paper and then tearing them to create a rustic or primitive look to the banners. Investigate the use of dyes in paper production. Create dyes using natural pigments such as ground minerals, plant materials such as flower petals, and even insects such as cochinilla. Use the natural dyes to color commercially produced or handmade paper.
Create papel picado banners and flags to identify various sporting teams and activities. Attach the banners and flags to poles, posts, and fences to create a festive look to "field day" activities practiced in many schools.
The essence of papel picado is the endless variety of designs cut into the paper. Compare and contrast patterns of cut paper to musical patterns or rhythms in contemporary and traditional music. Research the music performed in local areas of Mexico where papel picado is created to discover Correlations between cut paper patterns and musical rhythms found in regional music. Create simple musical instruments to replicate those patterns. Research any possible musical lore related to the production and use of papel picado. Investigate the music performed during festivals and other celebrations in Mexico where papel picado is used as a popular form of decoration. Create and perform simple dances using papel picado flags to help mark the musical rhythms.
Research the history and use of paper in Mexico as the focus of a report. Investigate the cultural impact of papel picado on the regions where it is produced and on areas to which the use of papel picado has been exported such as Hispanic neighborhoods in the United States. Describe transcultural influences on the development of papel picado such as the synthesis of Mexican indigenous paper cutting traditions with those brought by the Spanish. Discuss the decline or the continuing development of papel picado in Mexico and the United States as communities evolve. How has the use of papel picado changed in response to the adoption of nontraditional holidays in Mexico such as Halloween along the Mexico-U.S. border? What impact have these changes had on traditional practitioners of the craft? Discuss parallel changes on the U.S. side of the border where papel picado is used to celebrate traditional Mexican holidays as well as U.S. festivities associated with Thanksgiving, the Fourth of July, and St. Patrick's Day.
Develop vocabulary lists related to the art of papel picado. Discuss the origins and meanings of terms such as "paper" (from "papyrus"). Make a list of cognates to help English Language Learners gain maximum comprehension. Post new vocabulary on Four Blocks Word Walls. Integrate Six Trait Writing characteristics into all writing activities. Write, illustrate, and share original stories relating to the history, production, or use of papel picado in Mexico or other regions of the world. Display the stories in the school media center or in the classroom library. Record the stories on cassette tape in English and in Spanish. Create and perform dramatizations of the stories to the class or to the school at large. Post these stories on the school's website.
Calavera Catrina - Catalina Delgado-Trunk
Gibson, Christopher "Papel Picado; Three Artists Help Revive Hispanic Ephemeral Arts" Tradición Revista Vol. 7 Issue 3 Albuquerque, New Mexico, 2002.
Hunter, Dard Papermaking, the History and Technology of an Ancient Craft. New York: Dover Publications, Inc., 1978.
Lenz, Hans El Papel Indígena Mexicano. Secretaría de Educación Pública México, D. F., México, 1948.
Lomas-Garza, Carmen Making Magic Windows: Creating Papel Picado/Cut Paper Art. San Francisco, California: Children's Book Press, 1999.
Magic Windows. San Francisco, California: Children's Book Press, 1999.
Salinas-Norman, Bobbi: Indo - Hispanic Folk Traditions II. Oakland, California: Piñata Publications, 1991.
Trenchard, Kathleen Mexican Papercutting: Simple Techniques for Creating Colorful Cut Paper Projects. Asheville, North Carolina: Lark Books, 1998.
Papel Picado Artists/Instructors
1804 Dartmouth NW
Albuquerque, NM 87106
Christopher Gibson (505)255-1888
9818 N. Guadalupe Trail
Alameda, NM 87114-2009
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