Masks and Celebrations
in Mexico

Cultures
all over the world integrate masked processions with celebrations
that mark religious occasions, seasonal changes, historical
events and spontaneous revelry. We frequently look at
masks as being singular objects. While they can be powerful
works of art in their own right, they function in concert
with many other elements. It is important to realize that
masks are part of a whole costume and that the wearer,
who is often dancing, moves to music that evokes the themes
of a particular celebration.
The act of masking embodies the concept of transformation.
Obscuring the face and replacing it with another identity
has a profound impact.
"Pre-Hispanic peoples believed that the face was
connected to the soul.
(In the Nahuatl language of the central highlands of Mexico,
'ixtli in yollotl' signified a spiritual process in which
heart and face combined.) This allowed the heart to shine
through the face so that one's features became true reflections
of the self. Covering the face with a mask was not considered
a mere disguise but a temporary removal of the self; the
wearer was transported from the world of the ordinary
to a realm that was normally out of reach."
This quote from El Museo Hispanico in San Francisco
beautifully describes the function of masking in Mexico
and highlights the way that making celebrations evoke
another time and place. Ordinary time is restructured
to allow for the extraordinary to predominate.
In Mexico the tradition of mask making and mask wearing
is interwoven with particular celebrations as an integral
part of feasting, dancing and rigorous preparation for
community festivities. Mask ceremonials in Mexico have
evolved in a manner that synthesizes Pre-Christian and
Catholic beliefs. Festivals are integral to Mexican life,
punctuating the cycle of the year with special events.
Festivities occur in saints' days, Christmas, New Year's,
Catholic Holidays, Candlemas,
Carnival»,
Holy Week and for the
Day
of the Dead». Observing seasonal changes, such
as the inception of planting and the rainy season are
often celebrated in conjunction with religious holidays.
Motivations for dance festivals are various and include
fulfillment of religious promises, invocation of supernatural
aid for the community, thanks for a good harvest and devotion
to a particular saint. A family or couple within the Community
will take on the responsibility for sponsoring a particular
dance. This is a huge commitment to the community, requiring
a considerable expenditure of time, money and energy.
A family that is a festival sponsor garners respect and
status.
While the feeling behind masked ceremonies
is expansive, expressive and celebratory, the dances themselves
are highly structures and very strenuous. Traditionally,
women make the costumes and men makes the masks. The dancers
are usually male. Over time exceptions and changes to
these roles have developed, Mask makers are highly respected
members of the community, They must know the sequences
of all the local dances as well as the nuances of each
character.
Masked
beings represent real and mythical personages who express
the shared beliefs of a community. Some of the characters
include a jaguar, or tigre (photo, right), an old
man or viejito, a monkey, a clown, and a black
man or negrito. Masks take a variety of forms;
some are helmets worn on top of the head, others are half
face masks which cover either the top or bottom portion
of the face. Fringe and scarves which hang off hats, as
in matachine dances, also function as masks. Miniature
masks, no more than six inches across , are worn as well
as masks that cover only the back of the head. Some masks
have moveable jaws and some combine human and animal forms.
A wide variety of materials are employed in the construction
of Mexican masks. Materials include wood, wax, leather,
clay, paint, string, wool, paper mâche, wire mesh
and cloth.
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